“I just have a quick question. The other day I went to a salsa class and the instructor said we shouldn’t use our thumbs when holding onto the woman’s hands. For me I find it easier to create and control the tension if I use my thumbs especially when it comes to dancing with women who lack tension in their arms. I tried not using my thumbs and it feels little awkward. What do you recommend?”

Well Mark here is my answer:

When you close your thumb or palm over the follower’s hands, the follower immediately relaxes their arms and, even subconsciously, thinks that because you have them they don’t need to do anything. The result is a follower with Spaghetti arms who won’t follow quickly and accurately your lead. So you may think that you have more control because you are holding on but in actuality the follower will not respond properly to your lead.

Instead, if you open your thumb and palms and curl your finger tips and try to have your partner create the same tension with only your fingertips, you will force your partner to create resistance in her frame to keep from letting go. The more often your partner lets you go the more she will strengthen her fingertips and create more resistance. So you may feel like it is out of control at first because you are losing your connection but eventually your partner will firm up her fingertips and frame and then you will have a partner who will follow you quickly and accurately.

In other words, it is worth the initial growing pains to get the right tension and frame so that you can move on to become a great intermediate and then advanced leader.

So followers and leaders, make sure you never use thumbs and palms and instead curl your fingertips slightly and pull a little to create consistent tension and resistance.

Hope that helps – happy practicing!

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Tracie Macko will be teaching a Ladies Intensive Salsa Styling & Conditioning Class on Tuesdays beginning June 9th from 7-9pm for 3 weeks at Empress Studio. This 3 week x 2 hour per class course is a great way to learn a lot of information quickly without the commitment of a full 9 week course at only $90 per person. This class is limited to women who have completed level 2 with us or with permission.

Registration is now open and is limited. Here is a description:

Whether you dance with an experienced or inexperienced dance partner, being strong in your centre and being able to use it to play and style more in your dance will make you a much better and happier dancer. Learn the basic rules of thumb for being a good follow, executing spins and turn patterns and incorporating fun and flirty styling to your dancing.

In the first hour of every class Tracie will lead you through core strength and flexibility conditioning exercises designed specifically for dancers. In hour two Tracie will lead you through technique exercises that will cover musicality and styling in both shines and partnerwork, following, spins and turn patterns. Please dress comfortably, bring a yoga mat and your dance shoes.

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First of all, make sure that you really have mastered what is being taught. Many times I will ask who aced the move I just taught and receive lots of confident yeses but when I walk around I see that there are gaps. So make sure you ask your partner what you can do to improve the lead or follow of the move, the timing of the move and the styling of the move. The person dancing with you can best gauge what areas you can work on and if you develop an honest rapport with your partner or fellow students, you will find the honest feedback is very useful.

If you do have extra time in class focus on the following areas:

1) Timing – really take the time to listen to the songs being played in the class and ensure that you are dancing to the right timing and keeping the consistent “quick, quick, slow” tempo. Count the beats and take the time to slow yourself down on the 4 and 8 to ensure proper rhythm

2) Body movement – are you moving your body while executing the move or are you just stepping? Start with your knees bending in the proper direction. This takes weeks, even months of perfecting to ensure your lower body is moving properly. Once you have the knees working properly which affect hips then you can move on to the rib cage isolation exercises to ensure you upper body moves also. Lastly, add the figure 8 to your rib cage and shoulders to get the final full body movement of the basic.

3) Styling – what can you do to make the move look better? Now that you have the right timing and the right body movement, are there arm or leg movements and additional styling techniques that you can add to the move to take it to a higher level?

With these 3 areas in mind, there should be plenty of work to do in class and when going out. Remember to only concentrate on one area at a time so that you can really hone your skills!

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• Who should you dance with?
It is always best to dance with as many dancers are possible with a variety of levels and skills. If you are a beginner dancing with other beginners may be more comfortable. However, also consider asking those who are more experienced then you to dance which will offer you a good opportunity to follow a more complicated lead if you are a follower or experience a smoother follower if you are a leader. Remember that everyone was a beginner once so don’t be intimidated by others. If you are more experienced please be gracious and dance with beginners if asked as we all had someone help us learn and we need to keep this circle continuous and give back to the salsa community.

• Hygiene
You do not want to be the male or female who others do not want to dance with because of hygiene. Knowing that salsa is a close body contact type of sport where you touch others in a hot, sweaty environment, please be considerate and adhere to the following guidelines. Fresh breath is a must. Bring breath mints or gum to any dancing event. Anti-perspirant and/or deodorant are also a must. For excessive sweating, try Drysol. It can be bought at any Shopper’s Drug Mart and really works in controlling sweat. Some people bring a change of shirts if they know they are going to perspire a lot. Others use talc powder for damp palms. Some bring small towels or handkerchiefs/bandanas Take breaks often and keep yourself hydrated. Avoid heavy cologne, perfumes or oils as they can get musty in that environment and others may be allergic.

Following these tips will allow the salsa experience to remain a positive one for everyone involved. Remember that good manners, respect for others and awareness of the environment you are in will go a long way. Take the time to get to know your dance partners as it is a wonderful networking and social opportunity. But most of all, listen to the music, feel the energy of the crowd and enjoy the dance

The post Salsa Etiquette appeared first on Toronto Dance Salsa.

• Timing vs. Moves
Gentlemen, you have the very difficult task of balancing the rhythm/timing of the music with the types of moves you execute. Some men will compromise proper timing to execute more complicated moves. From a female perspective, most women would rather dance with someone who understands timing and can stay on time and who only executes simples moves as opposed to someone who is constantly skipping from one beat to another while executing complicated moves.

In terms of what timing to keep, the truth is it does not actually matter what beat you begin dancing every set on – depending on what part of the world you are in, who you have learned from and how you interpret the music, a male can lead on any beat (hence the terms “dancing on 1”, “dancing on 2”, etc). The key is to keep that same beat for the entire song. So if you begin the dance “on 1” which is the first beat of the set of 8 salsa beats, you should start every set on 1.

• How to make a graceful exit
There will be those times when a dance becomes unsafe or uncomfortable. In these situations it is best to end the dance as soon as possible, even if that means stopping the dance half way through. There are two ways to approach the situation. If you feel the need to let the person know that they are rough in their lead or follow, please do so kindly. Many dancers are just getting started and strong criticism could affect them. Gently let them know that you are having a bit of difficulty following or leading them. Many will be open to advice or feedback but don’t give it to them unless they ask for it. If you are not comfortable with this approach, it is always best to let them know you are getting tired/hot/thirsty and need to take a break. Always thank them for the dance and be gracious.

The last and most important piece of this article will come up next on the blog!

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• Turning down a dance
It cannot be stressed enough that rejecting someone’s offer to dance can be a very negative experience for that dancer and has even led some to give up dancing. Do your best to accept every offer unless you are uncomfortable with the person. Remember that people have very long memories and one rejection (for whatever innocent reason it may be) may be remembered for a long time. The salsa scene is a small one and people do relay stories about others. Be as gracious as possible. If there is a legitimate reason for the refusal, please specify it (e.g., I have just been dancing up a storm and am taking a break, I promised someone else this dance but maybe we can dance later, I am just about to leave, etc). Don’t forget to ask that person to dance later on if it is possible as a show of respect. Try to never reject a person and then go dance with another person immediately after. Dancers, especially beginners, are trying to build, gain and maintain confidence. This can be very hurtful and affect a person’s ability to ask others to dance.

If you are on the other side of this scene where you have been rejected for a dance, keep a practical and positive perspective and remember that it is not a rejection of you as a person but potentially the circumstance. There are many other dancers who would be more than happy to accept a dance.

• Ladies – how to get asked to dance
If you are not comfortable in the asking role, there are many tips to use to be more approachable. Always make yourself visible. Stand at the edge of the dance floor. Make eye contact with potential dance partners around you and those coming off the dance floor. Let your interest and eagerness to dance show and never stop smiling. Remember the rules of body language – gestures such as crossing your arms, looking down, looking bored, uninterested or unapproachable and congregating with groups of friends are just a few things to avoid. Dance with anyone who asks as women who dance throughout the night are seen by male dancers as more likely to accept their invitation to dance. A man is more likely to ask a woman as she is walking off the dance floor after completing a dance then one who is standing around. Also, the more partners you accept, the more dancers you get to know, and this opens up new networks and groups of dancers to you, as dancers often introduce you to their friends and fellow dancers.

• How to read your partner’s skill level
Every partner you dance with will be at a different level. If you are a male the best process to use is to start slowly and gain momentum according to your partners’ skill level. Begin by executing basic footwork, turns and basic cross body variations. If your partner is following with ease then slowly introduce more difficult moves. If you are a beginner female, specify this when you are asked to dance so the male is aware of your position and can work with your skill level.

Part 3 coming up in the next blog post!

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Here is the first excerpt from the article:

Salsa Dancing Etiquette – A Guide for Salsa Students and Dancers

Salsa clubs have their very own code of ethics and conduct that may sometimes not be apparent for new dancers. To make your dance experience as well as your partners’ and the dancers around you more enjoyable, please take note of the following salsa club guidelines and tips.

• Positioning yourself on the dance floor
You have just arrived at the salsa club and are anxious to begin dancing. Take a moment to familiarize yourself with the surroundings and the dance scene. Every club is different in terms of where it is appropriate to socialize, stand and dance. The edge of the dance floor is a great place to position yourself when you are ready to begin dancing. Try to refrain from bringing glasses or bottles close to the dance floor as it can be dangerous. Be aware of the dancers and give them enough space to maneuver. Do your best to always navigate yourself around the edge of the dance floor (not through the centre) and take your time to ensure you do not bump into a dancer. There are many instances when a female is being spun and is bumped into by a passing patron/worker/dancer. This can be very dangerous and frustrating. Try not to congregate or socialize in groups around the dance floor. Most clubs have an area around the bar or to the sides for this and it will be less obstructive to the dancers.

• How to ask someone to dance – the male and female perspective
Gentleman, there is a right and a wrong way to ask for a dance. Please be polite. A smile and a general inquiry of “Would you like to dance?” is usually the best method but if you are not comfortable it is also appropriate to offer your hand (with a smile of course) to the lady. Once she accepts, an introduction of yourself will put her more at ease and create a connection.

Ladies, don’t feel that you have to wait for the men to ask you to dance. It is quite appropriate for you to do the asking. Remember that most men are very open to dancing. They may just be uncomfortable with doing the asking or afraid of being rejected. They will be relieved to have this task out of the way. If you have a good connection on the dance floor, the chances are great that the man will take over the asking task in the future.

More from the salsa etiquette guide in my next blog post!

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We have just received word that Adelaide Club has been flooded and the studio will not be usable for this week. They are doing their best to fix the club to be ready for next week. In the meantime their sister property across the street called “Toronto Athletic Club” at Bay and Wellington in the TD Waterhouse Tower (studio 1) has been kind enough to allow us to use their studio this week.

Your classes for this Tues Nov 4th and Wed Nov 5th have been moved to the following location:

Toronto Athletic Club at Wellington and Bay
TD Waterhouse Tower
79 Wellington St. West, 36th Fl.
Studio 1
Toronto, Ontario M5K 1J5 Canada
T: 416.865.0900

Click below for map and parking info:
http://torontodancesalsa.ca/salsa-classes.php#TorontoDanceSalsaClassesLocations

We apologize for any inconvenience. Classes should resume as usual for next week. We will notify you through email if there are any issues. Please spread the word around to any friends you have attending these classes.

Thank you for your understanding.

The Gang @
Toronto Dance Salsa
416-913-5497
info@torontodancesalsa.ca
http://torontodancesalsa.ca

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New York Style Cha-Cha-Cha (not be confused with ballroom version) is one of the few variations of this dance that places a heavy emphasis on musicality and partner-work play. It has both an elegant and funky feel at the same time. In this workshop, proper footwork fundamentals, leading, following and timing will be covered to provide a more comprehensive approach to this workshop. This includes graceful hand/arm movements and use of various parts of the body to accentuate the rhythms of the dance. The class is geared towards more advanced-beginner – intermediate level students and can help familiarize students who are also learning dancing On2. Must have completed level 2 or receive instructor permission to attend.

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So You Think You Can Dance Canada Reveals First-Ever Top 20

TORONTO, Oct. 2, 2008 (Canada NewsWire via COMTEX)

After an exhilarating cross-country audition tour and intensive finals in Toronto, CTV announced during tonight’s broadcast the 10 men and 10 women who have danced their way to the top of the inaugural So You Think You Can Dance Canada Top 20. The dancers, who specialize in everything from Ballet, Hip-Hop, Salsa and everything in between, compete for Canada’s votes with the series first-ever Top 20 two-hour performance episode next Wednesday, October 8 at 8 p.m. ET on CTV (visit ctv.ca to confirm local broadcast times). Following the performance episode, viewers will have two hours to vote for their favourite couple. Learn more about the Top 20 in the So You Think You Can Dance Canada Top 20 guide to be published in Metro newspapers across the country on October 8.

“This first-ever group of Top 20 dancers are about to write a new chapter in Canadian television history,” said Susanne Boyce, President, Creative, Content and Channels, CTV Inc. “Their unbelievable natural talent and pure charisma will captivate the country.”

“The men and women in our Top 20 are some of the best dancers I have ever seen,” said Executive Producer Sandra Faire. “This group are not only some of the best dancers Canada has to offer, they are world class. Canada has some of the best choreographers in the world, and when they get their hands on the Top 20, we know viewers will be blown away by their performances.”

The Top 20 will be divided into 10 couples, who will work with top choreographers to learn a new dance routine each week from a wide variety of genres, including Contemporary, Hip-Hop, Broadway, Ballroom, Bollywood and more. The fate of these 20 finalists – one of whom will be named Canada’s Favourite Dancer – will be left up to viewer votes.

On the first live results show, debuting Thursday, October 9 at 7:30 p.m. ET on CTV, the three couples with the fewest number of votes will be announced. Each dancer in those three couples will have one last chance to impress the judges and “dance for their life” with a solo routine of his or her choosing. After all six dancers have performed, the judges will weigh in on the performances before sending one male and one female dancer home.

Starting next Wednesday (Oct. 8) and continuing for the next nine weeks, voting begins as Canadians make their voices heard for their choice of Canada’s Favourite Dancer. Voting will occur following the conclusion of Wednesday’s “performance shows” and is restricted to one, two-hour voting window in each region of broadcast (detailed voting information can be found at dance.ctv.ca).

Already the country’s newest homegrown hit, averaging 1.1 million total viewers to date, So You Think You Can Dance Canada is also ranking No. 1 online. As announced earlier this week by Yahoo! Canada, So You Think You Can Dance Canada is the top-searched new show for the week ending September 26, 2008 and is the seventh top-searched television show overall.

The Top 20 were selected after So You Think You Can Dance Canada’s exhaustive, cross-country search in five cities and the gruelling “Finals” cutdown in Toronto. Ranging in age from 18 to 29, The Top 20 dancers chosen from over 2,500 auditions are students, dance teachers and choreographers, all vying for the coveted title of Canada’s Favourite Dancer.

The Top 20 finalists (in alphabetical order) breaking it down for the first ever So You Think You Can Dance Canada performance episode on Wednesday, October 8 at 8 p.m. ET on CTV are:

ALLIE Bertram (18) is a Ballet dancer from Calgary, AB. She is a graduate of the International School of Ballet, and is excited to represent her style on the show. Allie has just returned from the Boston Ballet and is thrilled to showcase for Canada how much she loves to dance.

ARASSAY Reyes (21) is a Contemporary/Latin dancer from South Surrey, B.C. Born in Havana, Cuba, Reyes has been dancing since she was young and frequently incorporates her Latin flair into her routines. Arassay attended the Cuban National School of the Arts, later earning a spot in the National Contemporary Dance Company of Cuba (Danza Contemporanea de Cuba). Arassay is currently dancing with the Vancouver dance company Grupo America.

BREANNE Wong (25) is a Contemporary dancer from Whitby, ON who began dancing competitively at age 12. Now a dance teacher in Ajax, Breanne is also the co-owner of a dance studio, which she cites as one of her biggest accomplishments.

CAROLINE Torti (23) is a Contemporary dancer born in Kamloops, B.C., who now lives in Oakville, ON. Caroline, who started dancing at age three, has trained in jazz, tap, ballet, modern, lyrical, acrobatics, and hip-hop, but says that contemporary wins out as her favourite style of dance.

DANNY Arbour (26) is a Latin and Ballroom dancer from Montréal, QC. He knows that with his status as a professional ballroom dancer, he needs to impress the judges in all styles of dance that come his way.

DARIO Milard (19) is a Contemporary dancer born in Brooklyn, NY, and raised in St. Hubert, QC. He is a self-taught dancer who believes that his creativity and hard work have gotten him this far. Since taking an interest in dance five years ago, Dario has taken ballet and contemporary lessons at various Montréal-area schools, including Dawson College.

FRANCIS Lafrenière (28) is a Ballroom dancer from St. Bruno, QC. Francis owns his own dance studio and credits his students as his biggest supporters. He competed in the Blackpool Dance Festival in Blackpool, England, and looks forward to showcasing his infamous hip moves in the upcoming season.

IZAAK Smith (19) is a Hip-Hop and Ballet dancer from Prince George, BC. Dancing since the age of seven, Izaak attended North Shore Academy of Dancing and has studied at Judy Russell’s Enchaînement Dance Centre. He is also trained in ballet, contemporary, jazz, modern and musical theatre.

JESSE Catibog (29) is a B-Boy from Toronto, ON. Inspired by his hometown’s multiculturalism and versatility, Jesse honed his skills on the streets of Toronto. Known for his signature dance move, the coffee grinder-torpedo-coin drop-jump-jazz split-chair freeze, Jesse is excited to show Canada his moves.

JOEY Matt (19) is a Contemporary dancer from Calgary, AB. Joey believes that making the Top 20 is one of his greatest accomplishments. The support from his friends and family is what drives Joey to dance like there is no tomorrow and try out new styles of dance.

KAITLYN Fitzgerald (18) is a Contemporary dancer from Loretto, ON. She has been dancing since the age of two, starting out in tap, jazz, lyrical and ballet. Kaitlyn has studied at various schools, including the National Ballet of Canada, and her proudest dance moment came when she participated in the Solo Seal for the Royal Academy of Dance.

KEVIN Mylrea (22) is a Contemporary dancer born in Saskatoon, SK and raised in Westbank, BC. He attended DANZMODE Productions and KC Dance Connection, and says he is proud to see other dancers perform his own choreography. One of Kevin’s biggest accomplishments is working on The Lizzie McGuire Movie with Hilary Duff.

LARA Smythe (25) is a Contemporary/Acro dancer from Toronto, ON who started out as a competitive gymnast and grew up attending Earl Haig’s performing arts program. For the last five years, Lara has been working mainly as a choreographer for acrobatic routines.

LISA Auguste (27) is a Contemporary/Hip-Hop dancer from Rexdale, ON. She is a graduate of Cardinal Carter Academy for the Arts, and the Canadian Aesthetics Academy. While in New York attending a class at the Broadway Dance Centre, Lisa had the opportunity to work with contemporary choreographer Mia Michaels – an idol of many other contestants in the competition.

MILES Faber (21) is a Popper and Boogaloo dancer from Calgary, AB. With no formal training, Miles was first introduced to hip-hop by choreographer Tara Wilson. Miles looks forward to testing himself as he takes on new dance styles and competes to become Canada’s favourite dancer.

NATALLI Reznik (28) is a Hip-Hop/Latin dancer born in Israel and now living in Toronto, ON. Natalli, who began dancing later in life, started with ballet at age 17 and moved into the modern, Latin, and hip-hop styles of dance. Currently studying fashion and visual merchandising at Seneca College, Natalli believes it will be her unique personality that will entice judges and viewers alike.

NICO Archambault (23) is a Contemporary/Hip-Hop dancer from Montréal, QC. He has been studying dance at Cégep du Vieux Montréal (http://www.cvm.qc.ca/), and enjoys rock ‘n’ roll as much as dance. Nico is looking forward to dancing with the rest of the Top 20 competitors and mastering new styles.

ROMINA D’Ugo (22) is a Jazz dancer born and raised in Toronto, ON. She started dancing as a child, taking jazz, tap and ballet. Romina attended the Cardinal Carter Academy for the Arts, majoring in dance, before pursuing a career as an actor, graduating from Sheridan Institute’s Musical Theatre-Performance program. Her true passion, however, lies in salsa dancing.

TAMINA Pollack-Paris (19) is a Hip-Hop dancer born in Toronto, ON. With some training in jazz, ballet, and Irish dance, Tamina attended the Interplay School of Dance. She is currently busy taking classes at Toronto’s OIP Dance Centre and Street Dance Academy.

VINCENT Noiseux (22) is a Contemporary/Hip-Hop dancer from Saint- Jean-sur-Richelieu, QC. He has been dancing since the age of 13, and aspires to dance on tour with Janet Jackson. Vincent is overwhelmed with the amount of talent he has seen thus far in the competition, and looks forward to the weeks ahead.

Learn more about the Top 20 in the Wednesday, October 8 special So You Think You Can Dance Canada Top 20 guide in Metro newspapers across the country, or at dance.CTV.ca, the official online portal for the series and the source for everything SYTYCDC. The site is jam packed with exclusive footage and clips, fans can get up close and personal with their favourite dancers, judges and choreographers by browsing the image galleries, videos, forums, blogs from judges and more.

For those who missed tonight’s episodes and in advance of next week’s first ever So You Think You Can Dance Canada Top 20 performance episode, an encore of this week’s Top 200/The Finals episode will air on MuchMusic Sunday, October 5 from 9-11 p.m. ET. An encore of both performance and results episodes will air Sundays at 9 p.m. back-to-back on MuchMusic beginning October 12 (go to ctv.ca and muchmusic.com to confirm local broadcast times).

Watch Top 200/The Finals highlights, exclusive footage not seen on TV backstage footage, on demand on the CTV Video Player at dance.CTV.ca.

So You Think You Can Dance Canada is based on the Emmy Award-winning smash hit series created by Simon Fuller and Nigel Lythgoe that premiered in 2005. Canada joins the United States, Australia, Norway, Denmark, Greece, Poland, Turkey, Germany, Malaysia, New Zealand, South Africa and Israel as markets with an original So You Think You Can Dance production.

So You Think You Can Dance Canada was created by Simon Fuller and Nigel Lythgoe, and is produced in association with CTV by Danse TV Productions. Sandra Faire and Trisa Dayot are Executive Producers. Ed Robinson is Executive Vice-President, Programming, CTV Inc. Susanne Boyce is President, Creative, Content and Channels, CTV Inc.

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